8/3/2023 0 Comments Tapedeck djs![]() Hardy's residence-club The Music Box was also known for its loud sound. Theo Parrish and several others have said that he did this by turning the needle upside down and putting the record on a cylinder so the needle played the underside of the record, although Stacey Collins says that he did this by using a reel-to-reel. A Ron Hardy trademark was playing a track backwards. Hardy played a lot of reel-to-reel edits and was always tweaking the soundsystem and playing with the EQ. Most notably, when Hardy was playing at the Music Box, it was guaranteed to be loud, as evidenced by first-hand recollections of what a night there felt like: "The Music Box was so loud that anywhere in the club, the bass would physically move you-not just on the dancefloor, but anywhere in the club!" All of these factors, including Hardy's own emotional investment in the music, created an intense atmosphere on the dance floor. In contrast to Frankie Knuckles, Hardy's mark on house music was endless energy and using a variety of techniques to keep the audience on their toes. Hardy's style incorporated constant tension met with release, with a pulsing narrative that enchanted the wild crowds of the Music Box. ![]() Techno artist Derrick May remembers hearing Hardy playing a Stevie Wonder cut with the speed at +8. Usually expressed as + or -, with 8 being maximum/minimum). Hardy also pitched records up way more than Knuckles (pitch being the difference between normal speed and the speed at which the record is currently playing. While Frankie Knuckles at the Warehouse (and later the Power Plant) had a smooth style of playing, Hardy had less regard for sound quality and would play with a manic energy, mixing everything from classic Philadelphia disco classics, Italo disco imports to new wave, disco and rock tracks. From humble beginnings, Hardy's contributions to house music are considered influential. introduced Hardy to recording music in 1986 when the two mixed "Donnie" by The It (featuring Chip E., Larry Heard, Robert Owens, and Harri Dennis). At the end of 1982, when DJ Frankie Knuckles left the Warehouse to open the Power Plant, Ron Hardy DJed at the Warehouse's new location until Robert Williams renamed it "The Music Box." Producer Chip E. ![]() Around 1977, he went to work in Los Angeles. Here, with a set-up of two turntables, a mixer and a reel-to-reel tape-deck, he played long nights of underground black dance music. Hardy started his career in 1974 in Chicago's gay club Den One. Decades after his death, he is recognized for his innovative edits and mixes of disco, soul music, funk and early house music. He is well known for playing records at the Music Box, a Chicago house music club. Ron Hardy (– March 2, 1992) was an American, Chicago, Illinois-based DJ and record producer of early house music. ![]()
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